Showing posts with label Cup O Swank Studio. Show all posts
Showing posts with label Cup O Swank Studio. Show all posts

Friday, September 21, 2012

RoseHeart, exposed.

After much internal debate, I've decided to share for the first time, an excerpt of a supernatural novel I am writing. I hope to have a good first draft completed by Christmas, and I think posting will hopefully prod me into more WORK. I don't want to give too much of the plot away, but essentially, a modern-day woman will solve a string of century-old murders with the aid of the victims' ghosts. I hope you enjoy this chapter, and I value all thoughts and critique, tips, etc., especially from people who are kind enough to be reading my blog in the first place. This blog may turn into an "Artist AND Writer blog" if I don't watch myself. Which would not be bad, I don't think.

I hope you enjoy being the first people to read this....:)


Excerpt from "RoseHeart"
by Kathy Ferrell
Chapter Three
Rosie & Annie


“There you are, ladies! That will be thirty five cents!” Albert Adams said cheerily as he placed the tablet of creamy sheets onto a square of brown grocer’s paper and began wrapping, being careful not to dent the corners of Annie’s latest purchase. He smiled warmly at the two girls standing at his counter, his blue eyes sparkling behind his wire-frame spectacles. “And what else will be your pleasure today?”

“Oh, yes!” Annie exclaimed, stepping forward. “I almost forgot! I want a new pencil, too!”

The old man bent to retrieve a “Pupil’s Pearl” school pencil from the box in the glass display case.

“Oh, no, Mr. Adams!” said Annie. “I’d like the shiny green pencil, please! The one for artists.” She bent her head and pointed through the glass, her two blonde braids brushing the countertop.

The old man chuckled and plucked the correct pencil from the box. He should have known.

“None but the best, eh, little miss?” he said as he cut and tied the string that bound Annie’s package of drawing paper. He dropped the pencil into a pink striped paper bag from the candy counter. Arnold hadn’t stocked this morning and he was fresh out of the regular ones. He’d have to talk to that boy. More a stableboy than a store clerk, thought Adams. He gathered the packages and handed them with a small flourish to Annie’s taller companion. The older girl gave him a very small, nervous smile and put the things in a wicker basket without a word. Shame about that girl, thought the storekeeper. Maidin’ in that house.

That’ll make it forty-five cents all told!”

Annie took a half-dollar from a little coin purse and placed it in Mr. Adams hand. He produced a nickel from the register and handed it back to Annie. She dropped it into her purse, and the girls turned to leave.

“Hold on there,” said the storekeeper, plucking two pastel colored coconut bonbons from a big glass jar. He offered them to the girls and they both reached to take one. The smaller hand soft and pale, the bigger hand toughened and red.

“Wouldn’t look right leavin’ with a candy sack but no candy.” A big smile from both as they each took a pale yellow sweet from his palm. Giggling now, they thanked him and turned away once more. That’s more like it, he thought.
He watched the girls walk toward the door of his shop. Annie, the younger one, why she could’na been no more’n twelve and he’d be pickled if she hadn’t been wearing her mother’s lip rouge. ‘Shiny green one’, his foot. Girl hadn’t ever been to school. And the other one? She talked more to that mangy crow than she spoke to real folks. Rosie McCarty’ll never know another home, thought Adams, cleanin’ up after Annie’s mother and her kind.  He wiped Annie’s fingerprint from his shiny glass as the bell over the door signaled their leaving. Never gonna come to no good a tall, he thought.

By the time Mr. Adams had went in search of the elusive Arnold, the girls were on the next block, enjoying the early summer sunshine and pausing to admire things in the shop windows of Poplar Point.

“Look there, Rosie,” said Annie, pointing again, this time at a wide brimmed hat trimmed extravagantly with a feathered dove nestled amid pale silk flowers. The hat sat perched on a stand, and arranged at the base were a pair of matching gloves and a selection of delicate handkerchiefs.

“That is surely a lovely thing,” replied the taller girl, shifting the basket and leaning in for a closer look. All of the beautiful things were displayed on a wide ivory cloth, scattered with silk flowers and delicate porcelain dishes that held pearl-headed hatpins. A graceful little hand molded of plaster reached up from the center of the display.  The tiny white fingers held a little card that read:

Monsieur Antoine’s
latest creation 
for the vision of summer loveliness
$14.25

The hat’s pale elegance and delicate tints made Rosie think of cool things that she knew. Lemonade with fresh chipped ice, the night breeze that whispered in through the attic window, and the silver-speckle moonlight under the willow tree on the Ruban Vert.

“How much do you s’pose it costs?” Annie said.

“A sight more coin than we’ve brought today,” Rosie replied.

“D’ya think Missus Dewey will buy it?” wondered her friend.

Rosie paused before answering. Mrs. Dewey had reached the age where she should be exercising a little restraint. Her once remarkable shape was now relying more and more on whalebone and laces. Rosie was the one who carried the list to Mr. Adams and fetched home the little bottles of “no-lead” hair dye and  big jars of Murchison’s Bust Food. If a barrel of the stuff could be bought, Missus Dewey would have sent her back with a cart.

“I’d not be surprised,” said Rosie quietly.

“Or Mama might get it,” said Annie wistfully.

Rosie doubted that. If Lotta were given such a lovely thing, she’d ruin it in no time. She’d probably add her touch, piling on ribbons and gewgaws until it was spoiled. This time she said nothing.

They had lingered too long. A shop girl stepped out into the doorway. She smiled sweetly but her voice was hard.

“Wouldn’t you girls be happier at home?” she said.

“I was just looking at your hat,” Annie began. Rosie was already moving away.

“Mr. Antoine will be back soon, and you shouldn’t be hanging about here!” the young woman continued. “I’ll get in trouble!”

Annie stood there looking at the young woman, not comprehending. Any semblance of kindness was suddenly gone from the young woman’s face and she spoke through clenched teeth.

“Move on. We don’t sell paint here.”

“Come on, Annie,” said Rosie, taking her hand. “We’re too busy to window shop.”

Further down the street, Annie had forgotten the tone of the woman’s voice.

“I wonder how she knew I was an artist?”

The girl’s question went unanswered because Rosie was thinking her own thoughts, wondering if she might see Jim Halley patrolling the streets. She had met him one afternoon in the spring. She had been returning to the house with a box of Mr. Adams’ finest top shelf cigars and five big steaks wrapped in oiled paper.

Officer Halley was new to Poplar Point. He was talking with Mr. Murphy when she passed the newsstand. He had lost interest in the conversation and fallen into step beside her, striding along with his gloved hands clasped behind his back, not looking at her at all, but looking casually about at the treetops as if this were the most glorious day in the history of Man. He annoyed Rosie. He was going to follow her all the way home and then tell Missus Dewey that she’d done something. Some lie for which Missus Dewey would have to pay a fine so that her maid wasn’t hauled off to jail. She’d not seen him before. She knew all the cops. Missus Dewey would clout her after she’d paid him off.

But he’d only strolled alongside her for half a block, touching his fingers to his hat as they passed people, whistling casually.

“Of course, Miss, you’re aware that a young lady won’t last long smoking such cigars as those.” he said at last. There was a teasing quality in his voice, but no trace of the smirk she’d always sensed from the town’s other policemen.

Rosie stopped and looked up at his face. He leaned slightly forward and touched the bill of his hat. His blue eyes sparkled and his black mustache could not hide the small smile that was beginning at one corner of his mouth. A full smile now, and Rosie’s face grew hot. Hesitantly she smiled back.

Delighted, Halley straightened and gave a little laugh. “My prize is won!” he exclaimed. “I vowed to hold back the sunset until I’d made an angel smile upon me!”
...

“I said, ‘I wonder how she knew I was an artist’. She said she didn’t sell paints.”

“That’s not what she meant, Annie,” replied Rosie patiently. “She meant something else.”

She did not see Halley on the busy street. She saw the carriages of lawyers and bankers and the wagons of farmers and merchants. She saw Mr. Ferrante’s son, Lou, restocking the bin of his father’s fruit stand with little baskets of strawberries. Lou went to school. He was only ten but he spoke good English and could read and write. He was smart and good with sums. Rosie knew his mother and father understood more English than they let on, but she didn’t criticize them for that. She remembered her father telling her that he remembered his  own grandfather speaking Gaelic, and she wished she could hear it. Lou was lucky.

They were almost home. The house was in sight, on the corner, under the oak.

“Let’s go to the tree before we go in,” said Annie.

They turned left and went down a little alley, past the small backyards and then they were on the grassy greenness that sloped down onto the banks of the Ruban Vert. The trees were thick here, and the specific tree that Annie had mentioned was an enormous willow that rose nearly three stories tall. It was a special place. It was quiet and clean and nice.

They stood beside the willow and watched the river slip by for a moment.

Rosie sat the basket down on the grass. Annie picked up a pebble and tossed it idly into the water. All they could hear was the gurgling river. There was no breeze, so even the willow leaves did not rustle.

“I can’t stay long, Annie,” said Rosie. “There’s potatoes need peeling. Truly’s making chicken.”

“Mama and me won’t be there tonight,” said Annie glumly. “Mr. Troy is taking us out to the house.”

Rosie said nothing. Lotta had been lording it over the over the girls for weeks now. She called herself Mr. Troy’s “Proto Jay”, whatever that meant. Lotta had been at Mrs. Dewey’s longer than any other girl. Annie had been born in the house. Rosie didn’t know how old Lotta was, but she guessed it was past twenty five. She sang. She bragged to the other girls that she was singing for the Troys and their friends. Bartlett Troy had always insisted that Annie come along.

“Let me draw your picture, Rosie!” said Annie brightening suddenly. “I won’t take long!”

Flattered, Rosie agreed. Annie began briskly arranging a place to draw. She led Rosie to a big rock jutting from the grass and asked her to sit there. She fetched the new materials from the basket. Annie spread her handkerchief on the grass, and sat down a few feet away under the shade of a nearby water maple. She arranged her tablet in her lap and pulled her little sharpener from a pocket in her dress. Twisting a fine point on the new pencil she was about to make the first mark and then paused, looking at her friend.

“What’s the matter?,” Said Rosie. “Is my hair wrong?” She pulled her single long braid of dark hair from behind her and draped it across her shoulder and over her breast. She sat up straighter. “Is this better?”

“It’s more artistic if you are holding something,” said Annie thoughtfully.

“I could get some flowers!”

“No,” said Annie quickly. “Get Edgar!”

That was a better idea. Rosie held out her arm and whistled shrilly. Almost immediately came the harsh cry, three times, of her friend. From the direction of the house, over the tree tops appeared an enormous crow. It dropped effortlessly from the sky, and landed on Rosie’s outstretched forearm. The girl laughed and stroked his glossy black head.

“That’s wonderful!” proclaimed Annie. “Will he hold still for me?” She readied her pencil.

“Not for you,” said Rosie softly. “But he will for me.” From her pocket she produced a dried cherry and fed it to Edgar. He enjoyed it and gave a satisfied little clicking sound as Annie began to sketch.

When the drawing was done, she said Rosie could look. Rosie was very pleased. Her younger friend was a gifted artist. Rosie rarely looked at herself in the mirror. She knew she was plain, and in a house full of women who relied so heavily on their appearance, Rosie was the grey mouse. But Annie’s drawing was really nice, she thought. It was a quick sketch done before Edgar had grown bored and flown away, but it captured something. She had captured happiness in Rosie’s eyes, looking at Edgar as he posed in striking black profile. Rosie’s long dark braid and clean white blouse contrasted nicely. She wanted to ask for the picture. But where would she keep it? If one of the girls found it, they would never stop laughing at her. And then they’d want Annie to draw them as well.

Annie began packing away the things. The sun had gotten lower. Truly would cluck her tongue and tell Rosie to hurry to the cellar and bring up the potatoes.

“Menfolk can’t think o’nothin’ ‘til the bellies is filled,” she often said.

Thinking of chores undone, Rosie had already started up the bank when she realized Annie was lingering behind with a strange look on her face.

“Do you want to see why I needed more paper today?” she said sadly.

Rosie stood looking at the younger girl for a long moment.
“Yes. Show me.”
The above excerpt from the novel "RoseHeart" is © Kathy Ferrell, all rights reserved,  and not to be reproduced in any manner without the author's express written consent.

Monday, August 27, 2012

Joe Before Shopping

"Joe Before Shopping" ©Kathy Ferrell 2012





































Hey, there, art lovers! :)

Here's my fifth exercise for "One Drawing a Day". I know I complained about my husband being a "terrible, terrible model" the other day, but I think he did very well for this one! We were sitting at the dining room table and making a grocery list before he went to the store. I was just incredibly busy and stressed, trying to juggle all my mom's business and my own this week end, and I came very close to just blowing off the assignment. But right in the middle of making the list, I just said "Will you sit for me before you go?"

So I grabbed my sketchbook, ink, brush, a little el-cheapo plastic palette and a tiny glass water jar that once held pimentos and started working. Obviously, you can see he was not terribly eager to go grocery shopping. We both hate it, but I hate it worse. But you know what? For the half hour that we sat together and did this...I think we both had a little respite. I know I became very relaxed and when I was finished, I really noticed a sort of refreshed state of mental alertness. Joe said he could see it in my face.

I think this D.A.D. is starting to show its value for me. I'm glad I pushed through and didn't skip this one. I remember this same feeling of calm, alert, mental openness as I was working through Betty Edwards "Drawing on the Right Side of the Brain" . I think this experience with  a live model was a very good one, and I am really looking forward to participating in the life drawing class that starts in just a couple of weeks!
More soon! Bon soir, mes amis en art! :)

Sunday, August 19, 2012

Attack With a Pointed Stick...


Today this "Drawing a Day" thing I'm doing requires one to work with ink and various nibs. I discovered that my bottle of India ink is so old that it was clumpy and required stirring.

A trip to the kitchen revealed the perfect bamboo skewer, and I had soon whipped the ink into a usable form. I decided to simply draw with the pointed stick, to consciously free my often "tight" lines.

So here are three drawings of roses from my garden, done with a pointed stick. Enjoy them and the corresponding classic Python sketch.


http://www.youtube.com/watch?v=piWCBOsJr-w

The whole time I was drawing I kept hearing John Cleese in my head.

Time for Growth...

"Francophile" ©Kathy Ferrell 2012, Rapidograph on watercolor paper


Things are finally beginning to relax a little in my "regular" life. My mother is stabilized and happy. I must say, after my experiences this summer...if you know someone who is a caregiver for someone with Alzheimer's, do something to show them some kindness. That must be one of the most stressful jobs in the world. 

Since things are finally getting back on track, I discovered this "One Drawing a Day" trend that is sweeping the world. I was immediately captivated, ordered the book from my local library, and last night took the plunge! I like the book so much that today I'm going to buy my own copy. It's awesome!

Here's the website, so you can see the work of other participants.

http://onedrawingaday.com

This is the first exercise from the book. You're supposed to just gather a few items that happen to be in a room and make a little still life. I was so eager that I just gathered up a few things from my coffee table, and after I got the drawing done, I realized what a strong French influence is comically present, so I call it "Francophile".

Periodically, I try to participate in creativity systems, to open a fresh vein in my own "art mine". I've worked through Betty Edwards "Drawing on the Right Side of the Brain" twice and I cannot recommend it highly enough, for everyone, not just artists. It is incredible.

I've also worked through Julia Cameron's "The Artist's Way". It is very, very good, but for me personally, I feel it leaned a little heavier on analyzing the process instead of making the art. So Veronica Lawlor's book will be my fourth experience with this sort of thing.

Check out the book, it's very cool!

http://www.amazon.com/One-Drawing-Day-Creativity-Illustration/dp/1592537243

Sunday, August 12, 2012

Jungle Planet


"Jungle Planet" (detail) ©Kathy Ferrell 2012
Digital Artist #30


Here's a bit from my work that appeared in Digital Artist #30 this spring. I wrote a tutorial for their Creative 101 Q&A column titled "Third Eye Bind". In the article, I talk about steps an artist can take to achieve a 1950's comic "look" with Corel Painter and Photoshop.

Check out your back issue collection. It starts on page 87. I had a lot of fun with it, and I think I had some helpful tips to share. I just seem to have a naturally "over-the-top" style for almost everything I do, which seems to blend smoothly into "Pulp". Ahem. Accidental pun. :)

It's such a beautiful day here in my little Appalachian backwater. The temperature has finally cooled down  to the point where one can walk across the room without breaking a sweat, so I'm going to try to get caught up on things I've been neglecting. Hopefully, these temps will hang on for a while.
Hope you like the art!

Monday, January 9, 2012

Ego Justified...now if I can just keep up the momentum.

"Braxton County Monster" © Kathy Ferrell, 2011. Corel Painter.


My gallery has been honored with "Editor's Choice" over at Digital Artist magazine's website! On December 14, the piece above, "Braxton County Monster" was named their "Image of the Week", as well! This is another of my illustrations for myWV.net.
The gallery...if you should want to visit and like or comment. I'm not too proud to suck up. :)
Probably the most entertaining website in the Mountain State...
Read my tale of the famous monster!



©Kathy Ferrell and “Big Cup O'Blog” (blog about Cup O Swank Studio), 2011. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Kathy Ferrell and Big Cup O'Blog with appropriate and specific direction to the original content.

Saturday, December 31, 2011

Last Work of the Year!

"American Industry" ©Kathy Ferrell. Adobe Photoshop & Corel Painter.

Art Ambassador Tenders Resignation...

2012 looms large on my horizon. As I am wont to do, I’ve been reviewing the activities of my business over the past few years. I’ve had delirious successes, a few “meh moments” and a few frustrating disappointments.

I’m happy to report that I’ve made great progress this past year toward increasing my “net presence”. You can type “Cup O Swank” in a search engine, and you’re gonna find me. This year I created a real online portfolio for the first time, and became involved in respected websites dedicated to my profession. I learned to take advantage of analytic systems to track the traffic on my portfolio. In other words, I know who’s paying attention. And who’s not.

I’m not hugely famous. I’m a little bit known. I make a living. I’m very proud of that. When my son was small and I was raising him by myself, I drew literally thousands of illustrations for activity books and such like. Didn’t get famous, but I was home with my son every day, and I earned a decent living. He never saw the inside of a daycare, nor knew a hungry day. Those facts give me the right to talk about this.

I learned so much about Huntington, West Virginia and how it relates to working artists over the past several years. This has been bothering me for a long time, and I think this is the right time to talk about it. If any locals read this, it’ll only make them angry. Truth be told, it’s highly unlikely they’ll ever see it or hear about it. If they do get angry, what’s going to happen? I suppose the social season will find me a pariah.

My first few early sales had me so excited that I wanted to involve myself with others in the local art scene. Most of the following institutions will remain nameless. Not necessarily in chronological order, these are just a few of my observances and experiences over the past several years...

1. I tried to discover why the public transit system did not go to the large and publicly funded Huntington Museum of Art, so that people (especially kids) could have more access. That went nowhere, and the Museum remains cloistered on a distant hilltop, far removed from the masses.                                                                            

2. I became a financial supporter of the Huntington Museum of Art. Toward the end of that year, I received an invitation to a Christmas event. Someone at HMOA had used a very crudely done clip-art choo choo train for the invitation. I didn’t donate anymore.

3. I paid fees to join a co-op gallery. I attended a few meetings, being very quiet and observing. Activities consisted of a great deal of “bringing of covered dishes” and actual party games. Members were asked to line up in order of height and birth origin, and for another game, members were instructed to place a paper plate on their head and “draw a tree on it”. Not once did I ever hear mentioned how to increase sales of art, or attract clients, and the only discussion of business at all consisted of reminders to “Get those dues in so you won’t stop receiving the newsletter”. I let my membership lapse.

4. I observed a gallery open on the corner of 4th Avenue and 9th street. Right next to oil paintings, you could buy fountain soda and cheese puffs. The gallery closed after a while.

5. I observed another gallery open just down the block from that one. It looked good, I got excited, and through a level of detection that would be the envy of Sherlock Holmes, I was able to discover the phone number. Repeatedly, by both phone and letter I requested a prospectus or even a blurry photocopy of their policies regarding gallery sales, presentation, commission, percentage. I never received any written material, and the gallery owner seemed surprised I’d even want such a silly thing. As far as I know, it’s still in business.

6. I began to search on the net to learn how these representatives of Huntington’s art scene were using their resources to help their members reach out to the rest of the world. The paying world, specifically. Covering the entire city, I found only a handful of effort, and 85% consisted of horrendous looking websites that hadn’t been updated in years. 10% consisted of websites that were at least regularly updated and did not make you want to stab out your eyes, but the focus of most of these seems to be on very vague emotions that are felt when “being creative”. Honestly, the people who are posting on these only rarely show you any actual art that they made. They like to show you photos of them holding a brush, though.

7. I learned that here in Huntington, W.V., Twitter is a complete mystery. I learned that Facebook is for communicating only with people you know very well personally and see face to face on a daily basis, even if you publicly state that you are on there for “networking”. Facebook should create a new specific site for Huntington. Maybe they could call it, “Who You Kin To?” as that is the basis for all social interaction here.

8. Finally, in the 21st century, there is still consistent, habitual copyright infringement in all manner of ways all over this place. It’s standard practice in my town to simply take an artists’ work and use it freely, even removing their signature or insisting that they don’t sign if they want to be paid. It has always been thus. And it does no good to argue.

Those are just a few, and they are frankly the kinder observances. My point in sharing these things is this...

Many small towns similar to Huntington got hip years ago to the fact that working creatives are an invaluable resource for a community, especially in a down economy. They tend to be civic-minded by nature, and their ideas have been utilized to increase tourism and bring in revenue all across the country. I see success stories all the time about this. I wanted to be one of those people. But that just isn’t going to happen, and I’ve got a living to make.

For years, I’ve tried to share what I know with my community. From the more blatantly ignorant I’ve been met with open laughter and actually been mocked to my face. From the more “genteel”, I’ve heard lectures on “who they are in this town”. Yes, yes, I know. You are indeed a mighty big fish. Have you heard of the internet? It’s new.

There’s a whole world out there, Huntington. And it’s passing you by. Again. When I give you my card and you tell me a few days later, “Oh, I looked at your portfolio!”, No. No, you didn’t. Analytics tells me so. But every other state in the union does look. Regularly. And Australia, Germany, France, England and Canada. (Thank you, especially, to England & Canada, btw. You know who you are, and I am truly honored to be working with you).

Huntington is my birthplace. I was raised here. I really want this town to do well, for the good of everyone. It used to be a great place to do business. Maybe someday, it will be so again.

My father had a wonderful way with words, and he often told me, “Kathy, you ain’t learned nothin’ from a mule that kicks you twice.” And after 12 years in business, I’m sick of the taste of hoof.

So as 2011 fades away, faithful readers, raise a glass with me to my only New Year’s Resolution. As of midnight tonight, I am officially resigning my post as self-appointed Art Ambassador of Huntington, West Virginia. Godspeed, gentlemen.                                                   

                                                                                              
©Kathy Ferrell and “Big Cup O'Blog” (blog about Cup O Swank Studio), 2011. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Kathy Ferrell and Big Cup O'Blog with appropriate and specific direction to the original content.

Wednesday, December 28, 2011

Letter To Holland (In Progress)





    I know you guys pine for my longer posts, but I am so busy today! I've got a Jan. 6 deadline for a new client and I've put all other projects on hold until I'm finished. Hopefully by mid-February I'll be able to share the big news about this latest job!
  But I haven't forgotten you, and I thought we could all use a breath of Spring, so here's a quick look at an oil painting I'm trying to finish before the crocuses peek up from the snow!
  I call it "Letter to Holland", it's 16x20" on canvas. I'd say I'm half finished.

Here are some details...









©Kathy Ferrell and “Big Cup O'Blog” (blog about Cup O Swank Studio), 2011. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Kathy Ferrell and Big Cup O'Blog with appropriate and specific direction to the original content.



Wednesday, December 21, 2011

Home for Christmas


"Home for Christmas"©Kathy Ferrell 2011. Corel Painter.


Here's my latest. I finished it today. It's a little picture of me coming home tired after a long day of errands. I was trying to capture a feeling of Winter twilight.
I've been very sad today. For the first time in 19 years, my son isn't going to be home for Christmas. He's a brilliant young man with a great future, and he'll do well. But I miss him terribly.
So...what to do? My choices were:
A. Look through his baby album and take to drink.
or
B. Do what I always do...work. Work, work, work.
Artists, writers, poets, musicians...
When you hurt...work.
When you love...work.
When you laugh...work.
When you fail...work. And work some more.

Looking forward to the New Year, I thought I'd give a new Blogger theme a try.  Opinions & suggestions are welcome and valued! Some of my previous posts might look a little weird with the new theme. I'll try to go back and edit for clarity as time allows. I just thought the previous theme was a little hard to read.


©Kathy Ferrell and “Big Cup O'Blog” (blog about Cup O Swank Studio), 2011. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Kathy Ferrell and Big Cup O'Blog with appropriate and specific direction to the original content.

Sunday, December 18, 2011

"Yes, Virginia Egnor, there is a Santa Claus!"


"Dagmar" (in progress) ©Kathy Ferrell 2011, 8x10", acrylic on board




































I wanted to take a little time this afternoon and share with you my progress on my painting of "Dagmar" for the W.V. Division of Culture's Historic Figures Exhibit. See the previous post for more information about my subject! I had a little trouble getting past the background. It really looked pretty muddy there for a while, but I pressed on, and now I like it. Those initial painting stages can be a horrifying experience sometimes. "Oh, God, why is it so YELLOW???!!", that sort of thing.
My fans ask me, nay, beg me for more pics of works as they progress, so in the interest of magnanimous Christmas cheer, I give you this report on how the sausage gets made here at Cup O Swank. My art is quite similar to sausage, really. I aim for good taste in the finished product, but things usually look pretty tacky midway. Enjoy!

In the transfer step, I smudged it badly with my big Irish mitts. More work for me!

I used Corel Painter to loosely work out my color scheme. A real time-saver!

The first step in painting is to outline darks, to seal the carbon & keep it from disappearing into the paint!

Here's the part where I was utterly horrified. Husband listened to me rant for an hour, I had cocoa and pressed on. You can see my awful fingerprints. :(

At this half-way point, I'm ready for a break!





































































































































Until next time! More soon!


©Kathy Ferrell and “Big Cup O'Blog” (blog about Cup O Swank Studio), 2011. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Kathy Ferrell and Big Cup O'Blog with appropriate and specific direction to the original content.